LANGSTON IS MY MAN
Celebrating 100 Years since Langston Hughes 1st visit to Virginia Union University's Campus

UPCOMING SHOWS

Multiple DatesNov 19, 2026, 7:00 PM – 9:30 PMPine Camp Arts and Community Center, 4901 Old Brook Rd, Richmond, VA 23227, USASet against the music, movement, humor, and heartbeat of Harlem, Langston Is My Man is a theatrical celebration of the words and world of poet Langston Hughes. Commemorating the 100 year anniversary of his visit to VUU's campus in November 1926.
Multiple DatesNov 20, 2026, 7:00 PM – 9:30 PMPine Camp Arts and Community Center, 4901 Old Brook Rd, Richmond, VA 23227, USASet against the music, movement, humor, and heartbeat of Harlem, Langston Is My Man is a theatrical celebration of the words and world of poet Langston Hughes. Commemorating the 100 year anniversary of his visit to VUU's campus in November 1926.
Multiple DatesNov 21, 2026, 1:30 PM – 4:00 PMPine Camp Arts and Community Center, 4901 Old Brook Rd, Richmond, VA 23227, USASet against the music, movement, humor, and heartbeat of Harlem, Langston Is My Man is a theatrical celebration of the words and world of poet Langston Hughes. Commemorating the 100 year anniversary of his visit to VUU's campus in November 1926.
About The Show
Set against the music, movement, humor, and heartbeat of Harlem, Langston Is My Man is a
theatrical celebration of the words and world of poet Langston Hughes.
The audience boards the A Train and is transported into the vibrant world of Harlem during the
Harlem Renaissance, where an unforgettable ensemble of characters gathers at the legendary
Smalls Paradise. Through jazz, blues, tap dance, storytelling, and Hughes’ poetry, they
introduce us to a community alive with ambition, romance, humor, hardship, and dreams.
At the center of the story is Country, a young woman who arrives in Harlem from Mississippi
searching for a new beginning. Through the people she meets, she discovers a Harlem filled
with artists, dancers, dreamers, working people, hustlers, lovers, and survivors. Characters such
as Smalls, Blue, Ella, Stix, Diamond, Feet, Broadway, Zora, and others transform Hughes’
poetry into living conversations and stories about everyday Black life.
For a time, Harlem seems limitless. There is music in the clubs, dancing in the streets, poetry in
ordinary conversation, and the promise that talent and determination might lead to something
greater. Feet dreams of Broadway. Broadway Joe dreams of becoming an actor. Country hopes
that life in the North will offer freedoms she could not find in Mississippi. Each carries a dream of what life might become.
But beneath the celebration lies another rhythm.
The dreams of Harlem collide with racism, poverty, exploitation, unemployment, violence, and
the realities of being Black in America. The music begins to change. The Harlem Renaissance
fades, Smalls Paradise closes, and the characters who once danced through the night must
confront a world in which their dreams have often been delayed, denied, or taken from them.
Yet Langston Is My Man is not a story of defeat.
As Harlem changes, Hughes’ words continue to give voice to the people who live there. On front
stoops, in apartments, on jobs, and in the streets, ordinary people continue telling their stories.
Their humor survives. Their music survives. Their love survives. And, most importantly, their
dreams survive.
Through poems including The Weary Blues, Dream Boogie, Mother to Son, Ballad of the
Landlord, and the unforgettable question of what happens to a dream deferred, Langston
Hughes becomes more than the subject of the evening. He becomes the voice connecting
generations of Black experience.
Blending poetry, theatre, jazz, blues, dance, comedy, and dramatic storytelling, Langston Is My
Man explores both the brilliance and the struggle of Harlem while celebrating the resilience of a
people who continue to dream even when the world tells them not to.
It is a journey through Harlem.
It is a journey through Black America.
And through it all, Langston Hughes is there—listening, observing, writing, and reminding us
that the lives of ordinary people are worthy of poetry.
Written and Directed by
Derome Scott Smith
Derome Scott Smith is a filmmaker, theatre director, writer, producer, and educator whose career bridges theatre, film, television production, and arts education. His work is rooted in storytelling that explores culture, history, community, and the African American experience while creating opportunities for emerging artists to discover and develop their own voices.
Smith began his theatrical journey as a student of acclaimed theatre artist Ernie McClintock, whose jazz-based approach to acting and ensemble performance became an important influence on his artistic development. He earned a Bachelor of Arts in Theatre from James Madison University and went on to build a career as a director, educator, and producer.

As a theatre educator, Smith led the drama program at George Wythe High School, where his students earned recognition at the Virginia Theatre Association and Southeastern Theatre Conference. His student performers also represented their school internationally at the Edinburgh Festival Fringe in Scotland, presenting Langston Is My Man.
Smith later founded Living Word Stage Company, which evolved into the African American Repertory Theatre, creating a professional platform for African American theatre artists and stories in the Richmond, Virginia region.
Smith's creative work expanded from the stage into filmmaking through Media Jazz, the production company he founded to develop independent films, documentaries, educational media, and original stories.
Today, Smith teaches Television Production and Theatre at Hopewell High School in Virginia, where he combines professional production practices with arts education. His students receive hands-on experience in filmmaking, cinematography, editing, broadcast television, studio production, podcasting, live production, acting, directing, and theatrical performance. He also leads The Hopewell Vibe, a student-produced television program that gives young creators practical experience producing stories for their school and community. Whether working behind a camera, directing actors onstage, developing a documentary, or teaching the next generation of artists, Smith's work is connected by a central belief: storytelling can preserve history, strengthen communities, and give people the opportunity to see their experiences reflected on both stage and screen.

Presented by
VUU Theatre Department
Under the Leadership of Rick St. Peter
Langston Hughes delivered his first poetry recitation in the south in Virginia Union University's Coburn Hall on November 19, 1926. This November the Virginia Union University Theatre Department commemorates the 100 year anniversary of Langston Hughes’ visit and legacy and the impact that his work has had on Richmond and its surrounding communities!
In Collaboration with
The Pine Camp
Journey Program
Under the Leadership of Myron Clack
A nine month job readiness program for students aged 13 to 17 years old that utilizes performing and visual arts techniques to teach social and business skills. It's a free program for city of Richmond students and only $20 a year for students not located within the city of Richmond. Every year the Journey Program produces two original shows for Black History Month and Juneteenth, and takes the students on annual trips to observe professional theatre techniques in action! This year The Journey Program will be fundraising for its March trip to Lexington, Kentucky for the 2027 South Eastern Theatre Conference (SETC) !

Our Sponsors
.jpg)